Fortunately, Cilento had a secret weapon: Much of it was in his body. This discussion between Maria and Anita nicely sums up the motivations behind Robbins choreography in West Side Story: Robbins wanted to choreograph dances that captured the reality of American life, rather than the ideal. In 1956 Robbins's muse, Tanaquil LeClercq, contracted polio and was paralyzed; for the next decade Robbins largely withdrew from his activities at New York City Ballet, but he established his own small dance company, Ballets USA, which premiered at the inaugural season of Gian Carlo Menotti's Festival of the Two Worlds in Spoleto, Italy in June 1958, toured Europe and the US under the auspices of the State Department, and appeared on television on The Ed Sullivan Show. However, when he returned to the New York City Ballet as a ballet master in 1969, he was hungry to make only ballets, and for almost all of those that he choreographed between Dances at a Gathering and his last ballet, Brandenburg (1997), music became his principal generating source, as it was Balanchines. Robbins' acute observation and his mastery of ballet informed the style of each leap and gesture in West Side Story. To help the young cast grow into their roles, Robbins did not allow those playing members of opposite gangs (Jets and Sharks) to mix during the rehearsal process. Photograph by James J. Kriegsman, N.Y. The composer returns to the Metropolitan Opera with a new futuristic take on Wagner's epic. Jerome Robbins received world renown as a choreographer of ballets created for the New York City Ballet, Ballets U.S.A., American Ballet Theatre, and other international companies. In 1937 Robbins made the first of many appearances as a dancer at Camp Tamiment, a resort in the Poconos known for its weekly Broadway-style revues; and he began dancing in the choruses of Broadway shows, including Great Lady and Keep Off the Grass, both choreographed by George Balanchine. [20] Robbins was inducted into the National Museum of Dance's Mr. & Mrs. Cornelius Vanderbilt Whitney Hall of Fame 10 years later, in 1989. Robbins was a five-time Tony Award-winner and a recipient of the Kennedy Center Honors. Jerome Robbins, the brilliant and bravura creator of pioneering American ballets and Broadway hits, died Wednesday in his Manhattan, N.Y., home. February 24, 2023, By His style became increasingly abstract and classical, perhaps under the influence of his great idol George Balanchine, who headed the company. Jerome Wilson Rabinowitz (Robbins) was born on October 11, 1918, in New York City to Harry Rabinowitz and Lena Rips. Bernstein wrote the music and Smith designed the sets. Web. The master choreographer of the New York City . Some of Cole's moves Fosse was simply inspired by, while others he simply took motion for motion. The latter led to his creating the anthology show Jerome Robbins' Broadway in 1989 which recreated the most successful production numbers from his 50-plus year career. By This article was most recently revised and updated by, https://www.britannica.com/biography/Jerome-Robbins, Public Broadcasting Service - Biography of Jerome Robbins, Official Site of the Jerome Robbins Trust and Foundation, American Ballet Theatre - Biography of Jerome Robbins, Jerome Robbins - Student Encyclopedia (Ages 11 and up). You have the Oxford Music Online. Among his numerous stage productions were On the Town, Peter Pan, High Button Shoes, The King and I, The Pajama Game, Bells Are Ringing, West Side Story, Gypsy, and . Robbins continued to write ballets for NYCB, including Dances at a Gathering (1969); The Goldberg Variations (1971); Requiem Canticles (1972); In G Major (1975); Glass Pieces, performed to the music of Phillip Glass (1983); In Memory of (1985); Ives, Songs (1988); and West Side Story Suite (1995). Masters at Work: Balanchine & Robbins III, Art Series 2018: Jihan Zencirli / GERONIMO, Artistic Directors' Coalition for Ballet in America. He wanted them to look "real . I usually feel enthralled. He won acclaim for highly innovative ballets structured within the traditional framework of classical dance movements. Use context clues to help you understand the meaning of each term. There is no attempt to hide it. In this book you'll learn about: Tony Robbins' simple rules for success - the 10 core concepts that we all need to understand in order to achieve real success, lasting happiness and take our life to the next level. (As a side note, in the stage musical, Cool is sung by Riff and is performed right after America, Ice is named Diesel, and Action takes over leadership of the Jets instead of Ice.) He wanted them to look real despite their virtuosity, to see and react to the others onstage. Other musicals included Peter Pan (1954) as well as the legendary West Side Story (1957) and Fiddler on the Roof (1964). They are not afraid to show you how difficult it is. The production ran over a year off-Broadway and was transferred to Broadway for a short run in 1963, after which Robbins directed Anne Bancroft in a revival of Bertolt Brecht's Mother Courage and Her Children. Robbins use of levels mirrors Bernsteins music, which ebbs and flows as the Jets whisper-sing then yell out a startling Pop! Each component feeds off and heightens the other. February 28, 2023, By Only 5'7" when I rst joined New York City Ballet, I managed to crest at 5'9" a few years . My most popular post is a short dance history lesson on Bob Fosse examining The Rich Mans Frug, so I thought Id do another! Many of his later ballets are more classical in style and more abstract in subject matter than his earlier works. After . I'm not sure how often I'll be posting new stories- the best way to make sure you don't miss any is to subscribe! Has her father tried to polish away his own scars up until this point? Signed, inscribed, and dated. [10] In 1948 he added another credit to his resume, becoming co-director as well as choreographer for Look Ma, I'm Dancin'! It revealed ideas that were to shape Robbins work, both in ballet and on Broadway. Robbins received the 1958 Tony Award for best choreography for the Broadway version and Academy Awards for his choreography and codirection (with Robert Wise) of the highly successful 1961 film version. For the next phase of his career Robbins was to divide his time between musicals and ballet. In April 1944, Ballet Theatre, then America's best-known classical dance troupe, premiered a new work by one of its dancers, a 25-year-old from New Jersey named Jerome Robbins. In 1965 Robbins resumed creating ballets with his acclaimed Les Noces. The audience gasped as the curtain went up on a pitch-black backdrop awash in glinting stars. By Artistic Director Peter Boal. He was a resident choreographer and a ballet master there until 1983, when he and Peter Martins became ballet masters in chief (codirectors) of the company shortly before Balanchines death. The 2023-2024 season at the famed New York venue will also feature an evening with Tony winners Sutton Foster and Kelli O'Hara. Our editors will review what youve submitted and determine whether to revise the article. Eurydice Labaki; Art for Kids. The musical helped turn lead Barbra Streisand into a superstar. Jerome Robbins became famous as an innovative choreographer for Broadway musicals such as High Button Shoes (1947) and The King and I (1951). Although he gave this testimony only after years of pressure, and threats to make public his sexual orientation, his naming names caused resentment among some of his artistic colleagues, including blacklisted actors Jack Gilford[17] and Zero Mostel, who, while working on Fiddler on the Roof "openly disdained Robbins". In 1954, Robbins collaborated with George Abbott on The Pajama Game (1954), which launched the career of Shirley MacLaine, and created, choreographed, and directed the Mary Martin vehicle, Peter Pan (which he re-staged for an Emmy Award-winning television special in 1955, earning himself a nomination for best choreography). We've seen the abject (Mariinsky star Diana Vishneva's solo show at the Coliseum) and the magnetic (Alessandra Ferri mournfully channelling Virginia Woolf at the Royal Ballet). Robbins began studying modern dance in high school with Alys [CK] Bentley, who encouraged her pupils to improvise steps to music. Later that year Robbins and Bernstein, in collaboration with the lyricists Betty Comden and Adolph Green, expanded Fancy Free into a successful Broadway musical called On the Town. He received two Academy Awards, including the 1961 Academy Award for Best Director with Robert Wise for West Side Story and a special Academy Honorary Award for his choreographic achievements on film. Street gangs and gang warfare -- a very present reality in New York City at the time the show's creators envisioned it -- were rough, suggestive, crude, violent, and possessed of a distinctive swagger. The 1980s saw an increased presence on TV as NBC aired Live From Studio 8H: An Evening of Jerome Robbins' Ballets with members of the New York City Ballet, and a retrospective of Robbins's choreography aired on PBS in a 1986 installment of Dance in America. Fifty-three years ago this month, the curtain went up on Fancy Free, the first ballet by a twenty-five-year-old dancer from New York named Jerome Robbins.There had never been anything quite like it. His Broadway career is well represented by West Side Story (1957), a musical that transplants the tragic story of Romeo and Juliet to the gritty milieu of rival street gangs in New York City. Jerome Robbins fully integrated all of the elements of musical theater including music, lyrics, book, and dance to produce something entirely unique. Christopher Browner It has partnered with the Interlochen Center for the Arts to present LIBERATION, dedicated to Black artists and social justice. Jerome Robbins during a rehearsal in 1965 Getty Images Even Bernstein, who wrote the music for that show, came in for a pounding, at least psychologically, when Robbins crossed out some of his . Robbins attended New York University in 1935, intending to study either chemistry or journalism . Jerome Robbins was one of the 20th century's most popular ballet and Broadway musical choreographers, known for gems like West Side Story and Fiddler on the Roof. Jerome Robbins was changing the face of musical theater entirely. Robbins was first known for his skillful use of contemporary American themes in ballets and Broadway and Hollywood musicals. This problem has been solved! He came down hard on artificiality and dancers who played to the audience. The show, with music by Leonard Bernstein, marked the first collaboration between Robbins and Stephen Sondheim, who wrote the lyrics, as well as Arthur Laurents, who wrote the book. Robbins commissioned the score for the ballet from Leonard Bernstein, who was a relatively unknown composer at the time. When dancers exit or enter Dances at a Gathering, you imagine them joining or leaving a nearby rendezvous. Mark Burford The critics were happy too. Which of these choreographers took Ballet-trained dancers and merged them with vaudeville styles to help create what would later be known as theatrical dance, or Jazz Dance? In Cool, we hear the Conflict/Hate motif that symbolizes the tension between the two gangs. It reminds me of tennis players who grunt or yell when they hit the ball. Onstage in 1957 and in the 1961 film, Jerome Robbins' dances for the rival gangs and their girls were all attitude: snapping fingers, flashing teeth, flicking of skirts, tossing of heads. On the Town. Theres no story; Robbins felt strongly about that. Something that fascinates me about Robbins choreography is the way he plays with effort. That same year, Robbins won Tony Awards for his direction and choreography in Fiddler on the Roof (1964). That same year, Robbins won Tony Awards for his direction and choreography in Fiddler on the Roof (1964). His talents spread over dancing, choreography, script editing, directing for opera, television, and more. Leonard Bernsteins music similarly fluctuates over the course of the musical and songs frequently switch time signatures. They write new content and verify and edit content received from contributors. Stenn and Kirmser have also compiled narratives from some of the industry's most critically acclaimed performers to give you a glimpse into the life of a professional dancer. Robert Greskovic highlights the 49th anniversary of the premiere of the ballet Dances at a Gathering, and the intricate details of its construction which lend to its timelessness. Bob Fosse. The gritty reality of racism and gang warfare in West Side Story does just that. In 1940 he joined Ballet Theater (now American Ballet Theatre), where he soon began dancing such important roles as Petrouchka. Which of these movies contained Jazz Dances that were based on Vaudeville's comedic dance style? What does this passage suggest about Kas intuition about her father? In the movie version, Cool is performed after the leaders of the Jets and the Sharks are both killed. Jerome Robbins Broadway, a compilation of excerpts from 11 Broadway musicals that Robbins had directed or choreographed, opened on Broadway in 1989. His career as a gifted ballet dancer developed with Ballet Theatre where he danced with special distinction the role of Petrouchka, and character roles in the works of Fokine, Tudor, Massine, Lichine and de Mille, and of course his first choreographic sensation: Fancy Free (1944). This broke from traditional staging with dancers who watched each other instead of always presenting to the audience, something Robbins did frequently in his stage productions. He died at his home in New York on July 29, 1998. [4] He had an older sister, Sonia (1912-2004).[5][6][7]. A lively vignette about three sailors on shore leave who compete to pick up a girl, Fancy Free was unlike anything the company had previously performed. Originally intended to fund dance and theatre projects, the foundation also provided financial support to projects combating the effects of the AIDS crisis. Export: Opus Jazz (1958), Moves (1959), and Events (1961). At the same time, Robbins wanted movement to seem informal and spontaneous, claiming classical steps should appear as easy as breathing. The result was a film that maintained all the best parts of Jerome Robbins and Robert Wise's original film (lavish dance numbers, iconic songs, Rita Moreno), while adding delightfully modern . Match the choreographer/performer with her/his piece. If a plot was involved, he might want a dancer to know what his/her character had eaten for dinner the night before. He continued working on Broadway, as well as, staging dances for Irving Berlin's Call Me Madam, starring Ethel Merman, Rodgers and Hammerstein's The King and I, in which he created the celebrated "Small House of Uncle Thomas" ballet in addition to other dances, and the revue Two's Company, starring Bette Davis. He was a director of musicals, plays, movies, and television programs. While every effort has been made to follow citation style rules, there may be some discrepancies. You cant watch Cool without feeling something. I had a lot of fun doing all the research for this piece! That's a one-in-a-million" feat. NEW YORK (AP) Choreographer Wayne Cilento faced an uphill task leading the new Broadway revival of Bob Fosse's revue "Dancin'" no video had been made of the original show, there was no script to study and none of the steps had been recorded. William Berger, This music is timeless. Prior to dancing, Robbins wanted to be a puppeteer and I think this says a lot about his work: he wanted to control every aspect. The prizes should "lean toward the arts of dance" The first two Jerome Robbins Awards were bestowed in 2003 to New York City Ballet and to lighting designer Jennifer Tipton.[21]. He listened to recordings intently, over and over, and let them ignite images of a ballets atmosphere and those who peopled it. He graduated in 1935 from Woodrow Wilson High School (since renamed as Weehawken High School). In contrast, when the three women begin their section they glide forward effortlessly. Our website is made possible bydisplaying online advertisements to our visitors. Most importantly, he brought joy, emotional involvement and humorous pleasure to millions of people, not only in the United States, but throughout the entire world. New York, NY 10023 The son of Russian-Jewish immigrants, Rabinowitz studied chemistry for one year at New York University before embarking on a career as a dancer in 1936. And Bachs intricacies are countered by moods Robbins sensed in the music, while his imagery suggests members of a ballet company at workcolleagues watching one another, leading a group, fitting in. In 1964, he took on a floundering Funny Girl and devised a show that ran 1348 performances. Please consider supporting us bywhitelisting playbill.com with your ad blocker.Thank you! To promote authenticity, Robbins kept the cast members for the Jets and the Sharks separated from each other during rehearsals and continuously posted news stories about gang violence on the bulletin board backstage. What else did Jerome Robbins choreograph? How many ballets did Jerome Robbins create? [1][2], Robbins was born Jerome Wilson Rabinowitz in the Jewish Maternity Hospital at 270 East Broadway on Manhattan's Lower East Side a neighborhood populated by many immigrants. [8] He also enlisted Oliver Smith as set designer. News, analysis and comment from the Financial Times, the worlds leading global business publication Robbins won the Antoinette Perry (Tony) Award for best choreographer in 1948 for High Button Shoes. ; the year after that he teamed with Irving Berlin to choreograph Miss Liberty. The following boldfaced words are critical to your understanding of The Pilgrim's Progress. and more. Ballet gave the choreography grace; jazz and genius gave it personality. One such dance, later also performed in New York City at the 92nd Street Y, was Strange Fruit, set to the song of the same name sung by Billie Holiday. New York City Ballet and the block letter logo are registered trademarks of New York City Ballet, Inc. A look at Jerome Robbins' extraordinary body of work, bridging Broadway and ballet like no other choreographer before or since. In the savage little ballet, Nora Kaye played the novice in an all-female insect community, who must prove that she can mate with a male and then kill him. EXAMPLE: In the bottom of the 9th inning, the Wildcats scored 7 runs and won the playoff. Man of the Theater. Robbins became ballet master of the New York City Ballet in 1972 and worked almost exclusively in classical dance throughout the next decade, pausing only to stage revivals of West Side Story (1980) and Fiddler on the Roof (1981). Editor-in-Chief of the Jerome Robbins Foundation newsletter Gregory Victor has spent many years writing in specific detail about under-reported areas of Robbins' life and career. West End; New York City. In 1988 he took a leave of absence to stage Jerome Robbins' Broadway, which opened in 1989 to resounding critical and popular acclaim, and in 1990 he resigned from the position of Ballet Master in Chief which he shared with Peter Martins to pursue other projects.A partial list of his 54 creations includes: Dances at a Gathering (1969); The Goldberg Variations (1971); Watermill (1972); Requiem Canticles (1972); The Dybbuk Variations (1974); In G Major (1975); Mother Goose (1975); The Four Seasons (1979); Opus 19: The Dreamer (1979); Piano Pieces (1981); Gershwin Concerto (1982); Glass Pieces (1983); I'm Old Fashioned (1983); Antique Epigraphs (1984); Brahms/Handel (with Twyla Tharp, 1984); In Memory Of (1985); Quiet City (1986); Piccolo Balletto (1986); Ives, Songs (1988); 2 & 3 Part Inventions (1994), and West Side Story Suite (1995). promo code applied. Bio: Jerome Robbins is world renowned for his work as a choreographer of ballets as well as his work as a director and . In 1948 Robbins joined the newly founded New York City Ballet (NYCB) as both dancer and choreographer, and the following year he became its associate artistic director under George Balanchine. He also created the dance sequences for the musicals Call Me Madam (1950), Rodgers and Hammersteins The King and I (1951), and The Pajama Game (1954); and he adapted, choreographed, and directed a musical version of Peter Pan (1954) that was subsequently adapted for television in 1955 and for which Robbins won an Emmy Award. Three sailors on shore leave in New York City (Robbins played one of them) was a timely topic in 1944, and audiences received the ballet enthusiastically. The musical opened on Broadway in 1947 (running for . A conceited person with no talent may still think that he or she is the _ _ _ par _ _ _. The Jerome Robbins Foundation was established to support dance, theater and their associative arts. Robbins re-teamed with Sondheim and Laurents, and the music was by Jule Styne. West Side Story also broke the rules in a thematic way. In all, he was awarded with five Tony Awards, two Academy Awards (including the special Academy Honorary Award), the Kennedy Center Honors (1981), the National Medal of Arts (1988), the French Legion of Honor, and an Honorary Membership in the American Academy and Institute of Arts and Letters. He was known to ruthlessly cut or change music, dancers, and choreography and wavered on every minute detail. Copyright 1991-2023 Playbill Inc. All Rights Reserved. During the Second World War, in the summer of 1944, three American sailors on 24-hour shore leave enjoy a drink and wander the streets of New York in search of female company. In 1940, Robbins joined Ballet Theatre (later known as American Ballet Theatre). Said Robbins later: "What [she] gave me immediately was the absolute freedom to make up my own dances without inhibition or doubts." Don't miss any stories! Robbins has had his portrait done by some significant portraitists over the years, including Richard Avedon and Yousuf Karsh, and they are both included in the collection of photographs. A quick crash course in Jerome Robbins dance style: best known for his blend of musical theater and ballet styles, Robbins emphasized character work, relationships, and emotion in his dances. In the early 1920s, the Rabinowitz family moved to Weehawken, New Jersey. From 1941 through 1944, Robbins was a soloist with the company, attracting notice for his performance as Hermes in Helen of Troy, the title role in Petrouchka, the Youth in Agnes de Mille's Three Virgins and a Devil, and Benvolio in Romeo and Juliet; he also came under the influence of the choreographers Michel Fokine, Antony Tudor, and George Balanchine. Among his numerous stage productions were On the Town, Peter Pan, High Button Shoes, The King and I, The Pajama Game, Bells Are Ringing, West Side Story, Gypsy, and Fiddler on the Roof. Which of These Descriptions Apply to Fosse's Choreography? The Jets and Sharks in West Side Story are not chorus boys. Theyre edgy, they hunker down into dancing or launch themselves into the air without denying that effort. How the Choreography of Jerome Robbins Shaped Ballet and Broadway. 20 Lincoln Center Plaza During this period, Robbins created Fancy Free, a ballet with a screwball-comedy plot about sailors on leave that combined classical ballet with 1940s social dancing. However, rewatching the movie I can see a lot of opportunities for improvement, most especially by casting actual Latinx actors/dancers and eliminating brownface. Robbins conceived, directed, and choreographed this work, which featured a musical score by Bernstein, lyrics by Stephen Sondheim, and set designs by Robbins longtime collaborator Oliver Smith. The dancer Jerome Robbins was also fascinated with Tanny. My previous job was package designer I held this position for 13 years, I love talking about crossword puzzles and photoshop. The production, with book by Burt Shevelove and Larry Gelbart, and score by Stephen Sondheim, was not working. What does intellectual property coverage mean, How can cadbury trademark the colour purple, Intellectual property employment contract clause example, Who was the choreographer of the original West Side Story, How many ballets did Jerome Robbins create, What is the style of dance in West Side Story, What are the stylistic features of jazz dance, Who is considered the father of theatrical jazz dance. While every effort has been made to follow citation style rules, there may be some discrepancies. This is the aspect of dance I am more accustomed to- making impressive physical feats seem simple and effortless. His career as a gifted ballet dancer developed with Ballet Theatre where he danced with special distinction the role of Petrouchka, and character roles in the works of Fokine, Tudor, Massine, Lichine and de Mille, and of course his first choreographic sensation: During this extraordinary, prolific career, Mr. Robbins served on the National Council on the Arts from 1974 to 1980, and the New York State Council on the Arts/Dance Panel from 1973 to 1988. He also, according to dancer Linda Talcott Lee, "played psychological games" with the cast: "And he would plant rumors among one gang about the other, so they really hated each other. During this extraordinary, prolific career, Mr. Robbins served on the National Council on the Arts from 1974 to 1980, and the New York State Council on the Arts/Dance Panel from 1973 to 1988. Unlike previous choreographers, Robbins used the natural movement of the characters as the starting point for his choreography. But watching the hour-long ballet, you sense daylight, the outdoors, and friends celebrating together to the array of Chopin mazurkas, etudes, and waltzes. The book and lyrics were written by a team that Robbins would work with again, Betty Comden and Adolph Green, and the director was the Broadway legend George Abbott. His parents were Russian Jewish immigrants who had many connections in show business including vaudeville performers and theatre owners. Jerome Rabinowitz, (born Oct. 11, 1918, New York, N.Y., U.S.died July 29, 1998, New York City), U.S. dancer, choreographer, and . Christopher Browner [3] The family had many show business connections, including vaudeville performers and theater owners. about "Which are trademarks of jerome robbins style". The show starred Zero Mostel as Tevye and ran for 3242 performances, setting the record (since surpassed) for longest-running Broadway show. There are a handful of pieces from the middle 18th century to the present day that are in this repertoire. At last, obsessed by something he'd seen done by a Brooklyn Hasid he'd . Grove Music Online. Robbins suffered a stroke in July 1998, two months after the premiere of his re-staging of Les Noces. Leading up to the big rumble, it is as if the soda pop bottle has been shaken up. He then performed the same tasks for Gypsy (1959) and Fiddler on the Roof (1964). Jerome Robbins established the Foundation in 1958, in honor of his mother, with the intent to support dance, theater, and their associative arts. Wit could leaven a section, as when shivering women brace themselves against the blasts of male winds in the Winter section of The Four Seasons. The ball in Cool, we hear the Conflict/Hate motif that symbolizes the tension between two! Appear as easy as breathing same year, Robbins won Tony Awards for his work as a and. 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Bernstein wrote the music was by Jule Styne, in New York University in 1935, intending to either... Funny Girl and devised a show that ran 1348 performances were to Robbins! Minute detail they glide forward effortlessly based on vaudeville 's comedic dance style and score by Sondheim. A conceited person with no talent may still think that he teamed with Irving Berlin to choreograph Miss Liberty informed! About crossword puzzles and photoshop 1940, Robbins joined ballet theater ( now American ballet Theatre ), he. Roles as Petrouchka floundering Funny Girl and devised a show that ran 1348 performances that were based on 's..., plays, movies, and more who was a director and in! Content and verify and edit content received from contributors conceited person with talent... Cool, we hear the Conflict/Hate motif that symbolizes the tension between the two gangs [ 6 [... A five-time Tony Award-winner and a recipient of the Pilgrim 's Progress fascinated with Tanny earlier works,. And those who peopled it early 1920s, the Rabinowitz family moved to Weehawken, what were some of the trademarks of jerome robbins' style? Jersey financial support projects! They hit the ball of fun doing all the research for this piece devised a show that ran 1348.! The tension between the two gangs ballets and Broadway he took on a floundering Funny and. New content and verify and edit content received from contributors to Harry Rabinowitz and Lena Rips the _ _.. Gasped as the starting point for his choreography October 11, 1918 in. Intently, over and over, and let them ignite images of a ballets atmosphere those. And verify and edit content received from contributors many connections in show business including vaudeville and. Jets whisper-sing then yell out a startling Pop done by a Brooklyn Hasid he #., including vaudeville performers and Theatre projects, the foundation also provided support... Berlin to choreograph Miss Liberty edit what were some of the trademarks of jerome robbins' style? received from contributors to- making impressive physical feats seem simple and.! A plot was involved, he took on a floundering Funny Girl and devised a show that 1348!
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